Amusement Parks on Fire music review

home :: music reviews :: Amusement Parks on Fire
opinions were like kittens i was giving them away. -modest mouse
there's nothing as something as one. -e. e. cummings

Amusement Parks on Fire music review


Discuss Amusement Parks on Fire and all of your favorite musicians in our music forums.
Rating: Average rating: 4.1739130434783  23 Ratings     
Have you heard this album? Give us your rating above, 5 being best.



Amusement Parks on Fire
Amusement Parks on Fire
Reincarnate Music/Filter
      What better way to still the mind for sleep and prepare it for some turbulent dreams.

Track listing:

01 23 Jewels
02 Venus In Cancer
03 Eighty Eight
04 Wiper
05 Venosa
06 Asphalt (interlude)
07 Smokescreen
08 The Ramones Book
09 Local Boy Makes God

      Amusement Parks on Fire have released their self-titled debut (Filter, 2005) with a striking essence of deliberate ethereal escapades and jaunting, charred jams.

      The Nottingham, England foursome is: Michael Feerick (guitar/vocals), Daniel Knowles (guitar), Jez Cox (bass) and Peter Dale (drums).

      In opener "23 Jewels," you can escape into the buzz of quiet cathedral music, and then a forthcoming buzz effect which joins with somber violins of a melancholy Sigur Ros lull. Pale indistinctions of this crocheted lullaby are of the utmost tranquility.

      But in tracks like "Venus In Cancer" -- upbeat with its knock-around drums to formulate towards The Stone Roses -- there are beautiful hook drags with a Cure reverb. It’s like taking Black Rebel Motorcycle Club’s drafty singles and purifying them a bit.

      The album is inconsistent with its layout, as one track can obtain a calm presentation, and then next will be pushing you upright. The tracklisting does make for a nice mix-up, though.

      Admire tracks like Doves-y "Local Boy Makes God" and "Wiper," which takes two and a half minutes before anyone sings only to fade out again. Then it’ll surprise you with a smash of the drums and guitars, looped lyrics, and then a piano solo and another fade-out, topping out to over seven minutes.

      These are tracks to fill the air, and the band’s name seems to coincide with their music: something so natural as the amusement park, but at times with an awry edge to kick in some action-packed tempo.



-Arie Musil 06/07/05