The Old Haunts music review

home :: The Old Haunts Fallow Field
opinions were like kittens i was giving them away. -modest mouse
there's nothing as something as one. -e. e. cummings

The Old Haunts Fallow Field music review


Discuss The Old Haunts and all of your favorite musicians in our music forums.
Rating: Average rating: 4.9090909090909  11 Ratings     
Have you heard this album? Give us your rating above, 5 being best.



The Old Haunts
Fallow Field
Kill Rock Stars
      It's as if the late 50's rockabilly and the early-to-mid 60's mellowed music were fused together. The Old Haunts, releasing Fallow Field (Kill Rock Stars, 2005), are bringing that sound to fruition, combining the two eras and carefully adding a basement band feel to the mix.

Track listing:

01 By The Bay
02 Walk Through The Woods
03 Deflect It
04 Poison Control
05 Boots As Clubs
06 It's So Scandalous
07 Old World, The
08 Gold Lilght
09 Cult Baby
10 You Could Never Know
11 Out Of Sight
12 Vandal Hymn

      The Olympia, Washington trio is Craig Extine (vocals, guitar), Scott Seckington (bass, keyboards) and Danny Sasaki (drums) with additional drummers Natalie Cox and Chris Sutton on select tracks.

      Energetic garage rock voiced by a Jack White throatiness, collided with a swinging 60's jam piece and ragged guitars bring in 'By The Bay', the album's intro. This is the take-it-or-leave-it deal: If you don't like the band's groove by the first track, then you won't anytime afterwards. The album continues on like this until the very end, leaving you with a heightened buzz-sense of appreciation for this new genre.

      There's even a little country twang spice on one of the tracks, 'Walk Through The Woods', where the strings are teased and pulled to create a jangly, looser sound. Those wavering vocals are back again, and it's enough to make you want to grab someone to dance with.

      Something new appears in 'Cult Baby' -- seemingly there are two guitars that are playing off of each other's strums as vocalized harmonics would, creating a new term altogether, guitarmonics, if you will. This is creativity put to work. This new idea alone sets the band apart from the rest -- unique and innovative, this could very well be their defining sound.

      There's nothing more to it. Powerful drumming, fuzz box basslines and rough-and-tumble diddies worthy of repeating. Their music is concise, cheerful and an absolute great transition piece from two great eras. The Old Haunts are not only new to the music scene (having risen from their neighbour's basements) but they have generated a new sound. And a new playing scheme. Now is the time to appreciate the past, and this band couldn't have done it better. Buy the album, and have a dance partner ready.



-Arie Musil 05/04/05